Patrick Dougherty was born in Oklahoma but grew up in Southern Pines, where he roamed
the woods as a child. In the early 1980’s his love of nature, his evolving knowledge
of primitive building techniques, and his carpentry skills combined to create a unique
artistic form—he began to build sculptures using tree saplings as his material.
In 1982, his first work, Maple Body Wrap, was included in the NC Biennial Artists’ Exhibition, sponsored by the NC Museum
of Art. The next year, he held his first one-person show, Waitin’ It Out in Maple, at the Southeastern Center for Contemporary Art in Winston-Salem. These early single
pieces were conventional, pedestal-mounted works, but his vision quickly evolved into
monumental-scale environmental works. These required saplings by the truckload.
January 2020: Grand Central, McKee Botanical Garden, Vero Beach, FL
August 2020:Tilt a Whirl, Holden Arboretum, Cleveland, OH
Over the last thirty years, he has completed over 300 temporary, sight-specific works.
He has achieved international acclaim, and his art can be seen across the United States
and worldwide—from Japan to Brussels. Locally, his work is featured at the Cape Fear
Botanical Gardens in Fayetteville, the NC Museum of Life and Science in Durham, and
the Sara P. Duke Gardens at Duke University.
Mr. Dougherty resides in Chapel Hill. He holds a BA in English from UNC Chapel Hill
and an MA in Hospital and Health Administration from the University of Iowa. He also
engaged in post-graduate work at the UNC Chapel Hill Art Department. He is the recipient
of numerous awards and honors, including the National Endowment for the Arts Fellowship
and a grant from the Pollock-Krasner Foundation in New York.
He is the author of Stickwork, an artist’s monograph published by Princeton Architectural Press in 2009, and his
work and career are featured in books published in France, Italy, and Germany. Over
sixty periodical articles featuring his sculptures have appeared in American publications
ranging from local newspapers to national-circulation magazines. The 49ͼ¿â Horticultural
Society is delighted that he has agreed to add, on its grounds, an example of his
impressive and unique environmental art.